خلاصة:
ملخص الدراسة قامت الدراسة بتحليل النصوص المسرحية وتحليل عناصرها الدرامية والفنية وتحليل صورة الشخصيات المتطرفة سياسيًا ودينيًا بغية الکشف عن صورة ظاهرة المتطرف السياسي والديني في المسرح المصري بدوافعها وأسبابها وألوانها المختلفة والکشف عن دور التعبير المسرحي في تنمية الظاهرة أو مناهضتها، فالتعبير ليس مجرد مظهر لتجربة الحياة الفردية أو المتفردة لدي مبدع أو ذات تاريخية بعينها، وإنما هو دائماً تجسيد موضوع للروح العامة لعصر معين ، ويتم ذلک من خلال تحليل عينة من النصوص المسرحية التى تناولت التطرف السياسى أو الدينى أو الدينى السياسى خلال الفترة الزمنية المحددة للدراسة .
Introduction
The study analyzed the theatrical texts and their dramatic and
artistic elements and analyzed the image of extremists characters political
and religious to expose the image of political and religious extremist in the
Egyptian theatre with their motivations and reasons and different colours
and the role of theatrical of expression in developing the phenomena or
facing it . the expression isn’t mere an aspect for the individual life or
unique towards an inventor or a historical self itself but it is always
diagnosing the topic for general spirit for a certain age . that is complete
through analyzing a sample of theatrical texts which showed the political
and religious extremism or political religious extremism during a certain
period .
the results of the study
the results of the applied study represented in a sample of theatrical
texts represent the period form 1950 to 2000 related to the image of political
and religious extremist, it is amounted by (21) theatrical text in the
following items :-
1. The theatrical authors interests in drawing an image for the political and
religious extremist with the dimensions of theatrical of theatrical
character represend in the physical, social and physiological dimension
have a great role to explain and enhance the image of the character and
showed its aspect or features.
2. The preferences of authors differ in clarifying the image of their
extremists political or religious on the way of introduce the images
between direct introducing for the extremist or indirect introducing for
the extremist .
3. Showing that that the danger of terrorist groups exploit the Islamic
religious motto and pollute the Islamic with it’s principles and the role of
art generally and theatre specially in facing these dangers which threaten
the security of the Egyptian society . that was the main interest for
several theatrical authors in dealing with the images of political and
religious extremist in the Egyptian society texts
The symbolity and hidden the breathing and the freedom of creativity .4
and inventiveness and art as a fear of supervision arts classifications and
the non democracy for many government offices . than was refered by
many theatrical authors in a hidden way in dealing with the image of
political and religious extremist specially in this period form 1982
to 2000