خلاصة:
امروز ابزارها و رویکردهای نوینی با تکیه بر تکنولوژی ها و نظریات روز در شکل دادن به نمای شهر، دخیل است. نمای مدیا گروهی از نمای شهری است که با تکنولوژی روز دنیا و استفاده از سیستم های دیجیتالی پوسته ای مجازی را بر سطح نمای ساختمان ها به وجود می آورد. در دهه های اخیر از تکنیک مدیا در شکل دادن به نمای شهرهای مختلف جهان استفاده شده است چنانکه در طول زمان تاثیرات قابل توجهی را نیز در دریافت ساکنین از نمای شهر ایجاد کرده است. این تکنیک در مقیاس های متنوعی از یک ساختمان تا نمای یک خیابان و یا یک میدان شهری قابل اجراست. نوشتار حاضر با تشریح دو نمونه از نماهای مدیا در میدان تایمز نیویورک و طولانی ترین آنها در جاکارتا به بررسی این تاثیرات می پردازد.
The term Media Facade is often associated with over-dimensional screens and animated، illuminated and advertising places. The façade itself is dematerialized and it is turned into one huge advertising medium of publicizing. At the onset of dusk the building moves into the background and serves only as a backdrop for the light show which then becomes the main attraction. Today in shaping urban landscape، modern tools and approaches are involved which rely on technologies and ideas. Media facades are a group of urban facades which create a virtual shell on building facades by using technology and digital systems. In recent decades، the media has been applied in shaping of many urban landscapes in different parts of the world. This can happen in the scale of a façade or a total building، a street or a square. This article mentions two cases of large-scale multimedia features، including shots of Times Square in New York and the longest media façade in Jakarta in order to investigate this issue. Comparing the two examples can result in new technologies which are needed to deal with problems and it can lead to a conservative management for better operation.
As a result، these kinds of screens become more ubiquitous and they could have a significant impact on how people perceive both urban landscapes and architecture. While projection mapping already allows us to see buildings as a canvas، they are impermanent illusions when compared to screen facades. Screens are becoming the essential parts of city life، both as canvases for adding artistic visuals to a city landscape، and also as a means of communicating information (and، to our chagrin، a place for advertising).Generative art at this scale lets us imagine the city as a public space constantly in flux. It highlights the daily movements of its inhabitants and emphasizes the city as a center of fluid technological innovation and cultural advancement.
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