چکیده:
The Event of the Last upper of Jesus Christ has always been considered as one of the most importantevents in Christianity. Many artists have addressed this event in their artwork; the most important andbest-known representation of this event was addressed in Leonardo da Vinci’s The Last Supper fresco thatis displayed in the monastery of Santa Maria delle Grazie. The importance of this painting emerges fromthe fact that new readings and interpretations of this work have been made even in the contemporary era.Multiple images represented have The Last Supper in the contemporary era, with changes in the conceptand content according to the features and the problems of contemporary society. The goal here is to studythe represented works of Da Vinci’s The Last Supper in the era of postmodernism by following the period’scharacteristics and conditions of this time. The content and meanings of the represented works of the LastSupper have changed. There are many represented examples of da Vinci’s The Last Supper of which, inthis study, two sample images of artistic means (abstract-minimalism) have been analyzed and described.Data in this study has been collected by using documentations from the library, and finally, the images
which represent the cultural aspects and the features of the society for audiences have been analyzed anddescribed. In fact, these images are contemporary cultural objects which express new concepts. The wordtypesused were different, but meanings such as spirituality and holiness have been expressed by severalsigns in both works. By placing a timeless work of art in different ositional contexts, therefore, newmeanings are created.
واقعه شام اخر حضرت مسیح همواره به عنوان یکی از مهمترین رویدادهای ایین مسیحیت مورد توجه بوده است. هنرمندان بسیاری این واقعه را نقاشی کردند که از میان انها مهمترین و شناخته شدهترین اثر، نقاشی دیواری شام اخر ليوناردو داوینچی در صومعه سانتا ماریا دله گراتسیه است. اهمیت این نقاشی به حدی است که در دوره معاصر نیز بازخوانیهای جدیدی از این اثر شکل گرفته است. تصاویر متعدد بازنمایی شده شام اخر در دوره معاصر، بیانگر تغییرات مفهومی و محتوایی، ویژگی ها و مسایل جامعه معاصر است. هدف، مطالعه اثار بازنمایی شده از نقاشی شام اخر داوینچی در دوره پست مدرنیسم، با توجه به ویژگیها و شرایط زمانی این دوره است. محتوا و معانی در اثار بازنمایی شده از شام اخر تغییر کرده است. نمونههای بازنمایی شده بسیاری از شام اخر داوینچی وجود دارد که در این پژوهش دو نمونه تصویر از وجه هنری (انتزاع-مینیمالیسم) مورد تحلیل و توصیف قرار گرفته است. جمع اوری اطلاعات در پژوهش حاضر با استفاده از روش اسنادی-کتابخانهای است و در نهایت به تحلیل و توصیف تصاویر، که ویژگیهای فرهنگی و اجتماعی جامعه را برای مخاطب بازنمایی میکنند پرداخته میشود. در حقیقت تصاویر ابژههای فرهنگی معاصر هستند که مفاهیم جدیدی را بیان میکنند. نوع بیان متفاوت است اما معانی مانند معنویت، تقدس به واسطه وجود نشانههایی در هر دو اثر بیان شده است. بنابراین یک اثر هنری جاودان، با قرار گرفتن در بافت های موقعیتی گوناگون معانی جدیدی را خلق میکند.
خلاصه ماشینی:
Representation of The Last Supper by Leonardo da Vinci in the Postmodern Era Using the Abstract-Minimalism Approach Mahsa Sadat Bahreynian* Iman Zakariaee Kermani** Ehsan Aqababaee*** Abstract The Event of the Last upper of Jesus Christ has always been considered as one of the most important events in Christianity.
There are many represented examples of da Vinci’s The Last Supper of which, in this study, two sample images of artistic means (abstract-minimalism) have been analyzed and described.
Research History In an article that reviews Leonardo’s The Last Supper as a source of inspiration in the light of four stories of holly book; the works of da Vinci is compared with others and the narrative used has been discussed (Mousavi Rokni, 2016).
Artistic aspect of abstract -minimalism In the samples of The Last Supper represented by Ben Wilkins, we encounter with a space that features of postmodern art are obvious, including simplification, summarization and removing objects and elements in the image, there is no character in this represented sample.
In this case, abstract representative images create different meanings for the audience; and like Da Vinci’s painting The Last Supper, a certain unit meaning and concept is not available for the audience (Fig. 4).
Conclusion In this research, the images represented by the painting The Last Supper by Leonardo da Vinci in the contemporary period have been studied.
Multiple and diverse readings of The Last Supper have taken place through the period of postmodernism and have created new and different meanings compared to da Vinci’s work.