چکیده:
Marcos Novak mainly considers a type of architecture cuts loose from the expectations of logic,
perspective, and laws of gravity, and has invented a set of conceptual tools for thinking about and constructing territories in cyberspace. Novak introduces the concept of "liquid architecture”, a fluid, imaginary landscape that exists only in the Digital domain. He views trans-architecture as an expression of the "fourth dimension”, which incorporates the time alongside space among its primary elements. Novak's liquid architecture bends, rotates, and mutates in interaction with the person who inhabits it. In liquid architecture, "science and art, the worldly and the spiritual, the contingent and the permanent," converge in a poetics of space made possible by emerging, virtual
reality technologies. Novak describes his work as a process of metamorphosis, a “symphony of space”, in which 3D constructions have the properties of Music, an experience he has since referred to as “Navigable Music”. In this paper what considered are those phenomenological and post structural approaches and states that they also have become outdated. New senses have been attained through the crossbreeding between the reality of the individual and the virtuality of the structure. A strong concept of space, then comes forward, where the manifestation of mind in the realm of the body calls for what is to be perceived as real. The architecture is now characterized by the fusion of information, art, and technology; the purpose of this research, to question how those realities are constructed and how they take the individual into account.
خلاصه ماشینی:
"In liquid architecture, "science and art, the worldly and the spiritual, the contingent and the permanent," converge in a poetics of space made possible by emerging, virtual reality technologies.
liquid architecture, fourth dimension, , Trans-architectures, Cyber space INTRODUCTION Under the impact of science and technology, ordinary space has become just a subset of a composite "new space" that interweaves local, remote, telepresent, interactivated, and virtual space-time into the new spatial continuum that is the focus of emerging transarchitectures.
(Novak, 1992) MATERIALS AND METHODS Cyberspace "The relevance of architecture to address virtual environments and beings is also supported by the leading minds in the architectural field (Bilek & Anders, 1999; Benedikt, 1991; Mitchell, 1995; Negroponte, 1995; Stirling, 1990).
" Novak defines, cyberspace is a completely spatialized visualization of all information in global information processing systems, along pathways provided by present and future communications networks, enabling full co- presence and interaction of multiple users, allowing input and output from and to the full human sensorium, permitting simulations of real and virtual realities, remote data collection and control through telepresence, and total integration and inter9communication with a full range of intelligent products and environments in real space (Stirling, 1990).
Finally, "liquid architectures" are revealed in two algorithmic compositions: one with variations of information, another as a three-dimensional shape cyberspace.
possesses all information for its generation regardless of neither location nor resources CONCLUSION A liquid architecture in cyberspace is an architecture that is no longer satisfied with only space and form and light and all the aspects of the real world."