چکیده:
Statement: Sohrab Shahid Saless is one of the most important directors of Iranian cinema
during the pre-Islamic era. He was able to establish a new stream of Iranian cinema with his works
of cinema, including films (A simple event) and (Still life). Slowly The elements of Shahid Saless’s
cinema are based on unusual cinema that can be considered close to the interpretation of French
contemporary philosopher Jean-François Lyotard. Lyotard believes that if we interpret the cinema
as writing with motion, then two categories of movements (excessive movement) and (excessive
stagnation) are considered to be nasty, because in fact the rejection of all that is We know the
contractual rules of the film in the cinema. These two types of moves can even be recognized and
emphasized in certain scenes of the films. The cinema of Sohrab Shahid Saless is a cinema that
according to the historical, cultural, social, political and economic foundations of the 50s, 60s and 70s, has a different course with the cinema of the body or the mainstream of Iran, and has succeeded in following the principles of Lyotard’s nobility and The rule (excessive stagnation) and (non-returning or libidical) in the design of elements of narrative and lightweight is a new expression in the cinema. Purpose: To introduce Shahid Saless’s cinema as a manifestation of the presence of stream (Acinema) in Iran. Research method: The research methodology of this paper is based on descriptive-analytical approach and the library method has been used in collecting information.
Conclusion: Sohrab Shahid Saless, with an emphasis on the realist world-wide process of
national-cultural-nationalist struggles against imported thinking from the vulnerable economy,
as well as the movement based on the persistence of Iranian-Islamic mysticism, created a new
intolerance in Iran. The films (a simple event) and (still life), produced in the years 1974 and
1976 by Sohrab Shahid Saless are successful examples of the current (Acinema) flow in Iran.
خلاصه ماشینی:
"Sohrab Shahid Salss, Acinema, Jean François Lyotard, A Simple event, Still Life Introduction and statement ofthe problem Sohrab Shahid Saless - script writer, director, editor and translator - is one of the most prominent Iranian cinema figures who by recreating elements of narrative and style based on Iranian culture, society, economics and mysticism, and in extensive engagement with the whole of world culture, was able to .
However, some of the existing Persian and English books, theses and articles that have been transiently introduced to Shahid-Saless’s cinema and some of the aesthetic aspects of his works include: 1- Lambert M Surhone, Mariam Tennoe, Susan Henssonow, Sohrab Shahid Saless, Betascript Publishing, 2010 2- Olaf Möller, Sohrab Shahid Saless, Film Comment, Issue 40: 4 3- Shahin Parham, Iranian cinema: Before the revolution, Off screen journal, volume 3: isuue 6, November 1999 4- Dissertation of (recognition of author’s theory and authoritative position in two dominant and progressive cinemas) - Student: Idrisa Samani - Supervisor: Mehdi Pourrezaiean - Master’s degree - Islamic Art University of Tabriz-Faculty of Applied Arts-1391 5- Dissertation of (The Effect of Narrative of New Cinema Films on Iranian Cinema) - Student: Hossein Bayat - Supervisor: Ali Sheikh Mehdi - Master’s Degree - Tarbiat Modarres University - 1395 6- Dissertation of (Investigating the Effects of the New Wave Movement on Elemental and Narrative Elements in Iranian Cinema) - Student: Amin Ali Kurdish - Supervisor: Akbar Alami - Master’s Degree - Tarbiat Modares University - 2010 7- Gholamali, Asadollah and Sheikh Mehdi, Ali (2012), The Effect of Modern Narratives on the New Cinema of Iran Cinema, Fine Arts, Performing Arts and Music, 17 (2): 25-34 Research scope The scope of this research is limited to the period of the 50s, 60s and 70s, simultaneously with the production of modern and leading cinematic works, as well as extensive developments in the field of fiction literature and arts adjacent to cinema in Iran, such as sculpture, music, painting, etc."