چکیده:
The article is devoted to the disclosure of the peculiarities of the individual author's perception of the past, the present, and the future with the purpose of understanding the poetic creativity of Joseph Brodsky. The specifics and representation of the main modes of time in the poet's idiostyle are determined based on the identity of their semantic volume, and it is addressed their role in the language picture of the poet’s world. It is given a complex description of temporal designations affected by multiple semantic transformations, reflecting the individual author's vision of the world. The factual features of the temporal units as well as the hidden connotative elements of meaning that create a difficult semantic complex are revealed, which is the language embodiment of the idea of time in the works of J. Brodsky. In the process of studying, the following methods were used: descriptive-analytical method, method of contextual analysis of the text of literature, method for interpretation of the literary text, method of continuous sampling
خلاصه ماشینی:
Brodsky not only possesses a universal semantic structure characteristic of the European and Russian language pictures of the world, but also a number of specific, individual author's peculiarities that create a unique multilayered image of time on the pages of his works.
The main modes of time in the lyrics of Brodsky are the past, the present and the future, expressed by lexemes of the same name, synonymic constructions and words transmitting the rhythmicity of time periods.
3. Results and Discussion The idea of the present, the past, and the future in the poetic texts of Brodsky conveys the substantives of the same name, used as well as in the traditional vocabulary meaning and in the occasional one, created by semantic transformations, associative links and special compatibility.
So, in Brodsky's poetic texts, the connection of these temporal categories and dependence of one from the other appear: TaM, eoe npotunoe nJ110cl tiyoyiuee eoeoeu/ 6b10m 6aKJ1yLUu, meopn/ nacmosuuee, exyc/ ouxmyem uaccau o6oeM (There, where the past plus I the future two I twiddle their thumbs, creating I the present, the taste I dictates to the masses the volume (LB.
). Consequently, the semantic fullness of the lexeme of the past in the work of the poet consists of the following meanings: 800 The Past, the Present and the Future in the Poetic World ...
Summary Temporal units (the past, the present, the future) in the works of the poet contain within the semantic structure both the main nominative generalized meanings and the individualized ones, formed by the author's intention and generated by the text.