چکیده:
Islamic textiles include the textile produced in Islamic countries and regions, as a reflection of art
and poetry of this religion. When Islam came to power, the tax paid by the non-Islamic countries to
the Islamic government included valuable fabrics and textiles. Their style and early designs of the
fabrics were inspired by the traditions and art of the tribes. But gradually the method of texture and decoration on the fabrics was influenced by the Islamic art of that era. So that on some of the pieces one can observe the Quranic verses and religious ritual. In this article, the textile motifs have been studied in the Ottoman Empire and Saudi Arabia. The weavers in this region other than paying attention to the customs, tradition and Islamic poetry’s also looked for innovation so as to prevent textiles with religious application. The paper is based on descriptive-analytical method and data collection were from library studies.
خلاصه ماشینی:
International Journal of Applied Arts Studies IJAPAS 4(1) (2019) 65–78 (VIEW the image this page) Study the Textile Motifs in Islamic Middle East (Case Study: Ottoman and Saudi Arabia) Fatemeh Shahaba, Mahsa Qaseminejada, Sedigheh Shoulb* aDepartment of Technology and Sewing Design, Technical and Vocational University of Girls, Bandar Abbas (Fatemiyeh), Iran bFaculty Member, Department of Technical and Vocational University of Girls, Bandar Abbas (Fatemiyeh), Iran Received 20 January 2019; revised 27 January 2019; accepted 02 Febuary 2019 Abstract Islamic textiles include the textile produced in Islamic countries and regions, as a reflection of art and poetry of this religion.
The coloring and design of the oldest work of art of the Ottoman era, called as Sultan Bayzid, are quite similar to the striped silk fabrics of Iberian Islamic and Central Asia that may be linked to the movement of Turk romanticism in the early 9th and 15th centuries.
Gaziantep is a famous city in the production of satin silk fabrics (Mashruba) with hidden cotton weft and seen warp with colors and knot technique.
(VIEW the image this page) Fig 3 Rich bag woven with camel wool hair with pattern of warp displayed by Bedouin women Weaving with Hooked Knitting Machines of City: Kuwait's weavers worked with hooked knitting machines.
Methods: The color and knot technique (Tie-dye) of the city of Hama was renowned for the manufacturing of cotton fabrics used for clothes and waist shawls for nomads, villagers and urban women.
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