Abstract:
Islamic architecture has been a great influence on different parts of the world, even so there are some similar factors, but the aspect of culture will make the polarization between them. Upon the vast spread that Muslims had in the 7th century (A.D.) Islamic culture and belief moved in different continents from the Fareast parts of Asia to the west of the Mediterranean. At the beginning Islam had no specific architecture but with passing of time each and every culture started their own art and architecture and from that beginning Iran was a special primary of this field and of the many dynasties of this country Safavid was one of the highest valued among them all. One of the most important aspects of traditional architecture is there proportion value that holds a great part of the aesthetical valence. The aim of this paper is to know that if there is a common connection within various types of Safavid architecture as a group or individual system. The secondary goal of this study is to see if there is an aesthetic relation between Iranian proportion and European golden ratio. In this study we have surveyed various buildings, in one of the most influence architecture eras of Iranian Islamic architecture and at an end result believe that depending on their functionality the proportion values differ among them.
Machine summary:
In this study we have surveyed various buildings, in one of the most influence architecture eras of Iranian Islamic architecture and at an end result believe that depending on their functionality the proportion values differ among them.
Islamic Architecture, Proportion, Safavid, Isfahan INTRODUCTION Iran has had more than two millennium historical factors that within this time we can discover all aspects of war, hunger, beauty, and art and overall the entire black and white that contains humanity.
Methodology The basic method that is use in this study is descriptive of patterns and differential proportion methods used in the researching values of size and mold of ancient structures in Iranian Islamic architecture and after that analyzing some of the most important proportion factors of Safavid architecture.
The plans that have been analyzed in this paper have been / Fig. 2: Golden ratio of the southern side structures of Jame Mosque of Isfahan (Khakzad et al.
The important proportion factor / Fig. 9: Isfahan’s 40 columns plan in this building is the usage of the golden ratio in all of the plan design statues (Fig. 9).
The use of the golden ratio can be seen in this building (Fig. 11) as well; even so, there are more within the sub structure of this plan.
CONCLUSION Upon analyzing of various proportion values in official and unofficial design of buildings during Safavid era we were able to understand some of the connections in different functional structures of one of Iranian most known architecture vertigo.