Abstract:
Problem statement: The Sogadian civilization was on the Silk Road route and was one
of the most significant areas of the Silk Road. This geographical location resulted in
significant cultural intertwining in the art and culture of the area. The influence of Indian,
East Asian and Iranian culture on art are visible. But in the meantime, the influence of
Sassanian from Iran may be stronger as the Sogadians received the most influence from
the Sassanian in their art. But in this impression, they merely confined themselves to
the representation of the Visual Elements of Sasanian art and did not reflect the spirit of
royal art in their works. This is especially evident in the Sogadian murals.
Research question: What are the reasons for the unique representation of the Visual
Elements of Sasanian art and not to reflect the spirit of royal in Sogadian art murals?
Research objective: Identifying the reasonsfor Sogdian selective influence on some
specific aspects of Sassanid art, is the main objective of the present study.
Research method: This research is a qualitative one and it is conducted in historical
methods as well as the descriptive-analytical study and the required data was collected
through a library method.
Conclusion: Sogadian society provided the opportunity for growth for all individuals
within the context of the social and political structure of developed urbanization. Due
to having such a structure, the money made by being located on the Silk Road route
provided considerable prosperity to the people of the area and besides the king, other
rich people were formed in the hearts of the population. The same story flourished
with epic, mythical, everyday themes, and in Sogadian murals depicting stories that all
Sogadian people could be heroes, rather than the central persona and the king’s display
of absolute power.
Machine summary:
Original Research Article A Study of the Reasons for Representation of the Visual Elements of Sasanian Art and the Avoidance of the Impression of Royal Art in the Sogadian Mural Sarah Rajabi*1, Hossein Shojaei Ghadi Kalaei2 1.
Research question: What are the reasons for the unique representation of the Visual Elements of Sasanian art and not to reflect the spirit of royal in Sogadian art murals?
The Scientific Journal of NAZAR research center (Nrc) for Art, Architecture & Urbanism 54 {مراجعه شود به فایل جدول الحاقی} 55 Bagh-e Nazar, 17(88), 69-80 / Oct. 2020 examples presented in this essay are very few, and the few examples cited in this article cannot prove that the Sasanian inspired motifs that have become popular in Sogadian culture and art have been political.
In Sogadian art, as is well The Scientific Journal of NAZAR research center (Nrc) for Art, Architecture & Urbanism {مراجعه شود به فایل جدول الحاقی} ..........
Row Sasanian Example Sogadian Mural Example 1 A B 2 C D 3 E F 4 {مراجعه شود به فایل جدول الحاقی} The Scientific Journal of NAZAR research center (Nrc) for Art, Architecture & Urbanism {مراجعه شود به فایل جدول الحاقی} ..........
That is to say, unlike Sassani Iranian society, the Sogadian people provided the opportunity for economic and cultural growth for all individuals in the context of the social and political structure of developed urbanization.