Abstract:
Problem statement: Painting is considered as a way for understanding and reviving the
principles in Persian -Islamic architecture. In order to understand these paintings, their
features should be identified, and the governing principles as well as depicting architecture
should be achieved. Evaluating the creation of space and using the principles of Persian
architecture by the Iranian artist in his works help to understand Persian paintings better.
In addition, the lack of a coherent and systematic method for expressing and understanding
the images of paintings, as the historical documents of Islamic architecture, necessitates
the recognition of these two arts more than ever.
Research question: Which principles and points can be understood by evaluating the
role of Persian architecture in traditional miniature paintings and matching to historical
monuments?
Research objective: The present comparative study of the basic concepts related to Persian
architecture with painting aimed to find the most widely used principles and concepts of
Persian architecture manifested in the paintings.
Research Method: In the present qualitative and comparative study, the sources were
collected by the library method and analyzed using qualitative analysis and graphical
analysis.
Conclusion: The findings indicated that Iranian painters have painted by following the
principles of Persian architecture fully and consciously and using the measures that showed
convergence and compliance with the principles in architecture. Subsequently, proving
the convergence of the principles in painting with the principles of Persian architecture
indicated that the common principles in the concept of diversity in unity, which is one
of the basic concepts in Persian -Islamic architecture, had the greatest manifestation in
painting.
Machine summary:
How to use spaces, architectural and urban principles, and related behavioral patterns is a significant point, some of which can hardly be found on the body of buildings today, while Persian paintings are the only important sources (Soltanzadeh, 2008, 5).
90 The Scientific Journal of NAZAR research center (Nrc) for Art, Architecture & Urbanism Bagh-e Nazar, 17(90), 87-100 / Dec. 2020 example, great attention was paid to details of motifs, consistency of decorations, and decorative arts, especially the abstract motifs of plants and animals, the use of Islamic motifs andsimilar colors such as turquoise, ochre, yellow, brown, dark green, and finally khaki, the use of golden proportions, geometry and geometric motifs, axialism, symmetry, and so on.
Results • Manifestation of common principles in Persian architecture in a selected painting (Yousef 's escapes from Zulaikha5) Based on the findings obtained from the common principles, the most important findings were analyzed in the painting of 94 The Scientific Journal of NAZAR research center (Nrc) for Art, Architecture & Urbanism (View the image of this page) Bagh-e Nazar, 17(90), 87-100 / Dec. 2020 (View the image of this page) Table 4.
The Scientific Journal of NAZAR research center (Nrc) for Art, Architecture & Urbanism 97 Some principles of Persian architecture, such as introversion, have created a deep geometric and semantic relationship in the visual elements in the paintings, and its formal elements play an important role in the studied painting (Behzad school).